I quote from "The Book of Lies (falsely so-called)";
THE OYSTER
The Brothers of A.'.A.'. are one with the Mother of the child.
The Many is as adorable to the One as the One is to the Many.
This is the Love of These: creation-parturition is the Bliss of the One; coition-dissolution is the Bliss of the Many.
The All, thus interwoven of These, is Bliss.
Naught is beyond Bliss.
The Man delights in uniting with the Woman; the Woman in parting from the child.
The Brothers of A.'.A.'. are Women; the Aspirants to A.'.A.'. are Men
In order to have Motion one must have Change. In fact, one must have this in order to have anything at all. Now this Change is what we call Love. thus "love under will" is the Law of Motion. The re-entrant character of this Motion is difficult to conceive; but the Aspirant is urged to try to assimilate the idea. A Hindu might compare the Cosmic process to a churn which out of milk made butter to feed a milk-producing woman, every step in the cycle being a Progress of Joy.
Time is necessarily created by us in order to make room for the apparent existence of the duality which we devise for the presentation of unity, or nihility.
"Two things" must evidently exist either in two places, or at two times, or both; else they would be indistinguishable.
Two phenomena which differ in time would be considered simultaneous if separated in space so that our observation of the former were delayed, for several reasons; and it is fairly easy to realize the possibility. But it seems as if separation in space were somehow more intractable. I can see no priori reason for this distinction; I think it arises from the fact that space is directly presented to our senses, while time is proper to the mental apprehension of impressions.
Our universe is (after all) in one place, so far as we are concerned, i.e., in our sensoria, so that any two impressions can only be registered by us as consecutive. Even when we are aware of their simultaneity, we are compelled to place them in sequence. Our sensorium makes no distinction between concrete and abstract ideas in this respect. Sensory impressions and general ideas are equally grist for the mill. But we make a distinction between our record of events whose sequence is a necessary part of our comprehension of them, and those which are independent of our history. We insist on the sequence of school and college, but our general judgments are recognized as independent of time. This is peculiarly the case with our idea of the Ego, which we instinctively regard as if it were eternal and unchanging, though in fact it grows and decays continually. Yet we think of the incidents of boyhood as having occurred to the Ego, forming part of its character.
Now since this Ego is only conscious by virtue of having formulated itself, or the Universe (as it happens to view the case), in the form of Duality, and since all the experiences of the Ego are necessary to it, as all phenomena soever are necessary, it is permissible to regard the totality of the experience of the Ego as the presentation in duality of a single simultaneous fact.
In other words, life is an attempt to realize one's own nature in one's own soul.
The man who fails to recognize it as such is hopelessly bewildered by the irrational character of the universe, which he takes to be real; and he cannot but regard it as aimless and absurd. The adventures of his body and mind, with their desires for material and moral well-being, are obviously as foredoomed to disaster as Don Quixote's. He must be a fool if he struggles on (against inexorable fate) to obtain results which he knows can only end in catastrophe, a climax the more bitter as he clings the more closely to his impossible ideals.
But once he acquiesces in the necessity of the course of events, and considers his body and mind as no more than the instruments which interpret himself to himself by means of dualistic presentation, he should soon acquire a complete indifference to the nature of the incidents which occur to him.
It is not surprising that these incidents should occur in an apparent disorderly sequence any more than that the coours of a picture, or the words of a story, should not be disturbed according to an a priori classification, as in a Lexicon or a colourman's catalogue. His task as a connoisseur is to recognize the idea of the artist, and this he can only do by appreciation of the complete work. he must analyze the assemblage of elements, and assign the correct value to each, comprehending the intention of each relative to the finished design.
It will be said that nobody can realize himself so long as the presentation is imperfect, that is, so long as he is incarnated. This is no doubt true in all rigour; but one can obtain an approximation to the intended self-knowledge by withdrawing for a time to the monistic form of self-consciousness, which does not distinguish between the Ego and the Non-Ego; in other words, by attaining Samadhi. But the first experience of Samadhi will then naturally be an ecstasy devoid of name or form, and containing no elements distinguishable as such; and we know this to be the case. One has simply deprived oneself of the means of expression, and all dual consciousness disappears, together with its forms, time and space. One concludes from this that the Universe is identical with the Ego, and all things dissolve into a formless essence characterized by knowledge and bliss. But this early stage of Samadhi is an illusion, a sort of drunken dizziness. (So in sexual love, the ecstasy abolishes the Ego, apparently; it forgets that duality was its cause, and must be equally real with itself, in one sense or another). But subsequent Samadhi teaches the adept that his universal instantaneous Unity exists as "None and Two"; and he learns that his Samadhi is peculiar to himself as well as common to all.
He becomes able to experience the truth of the statements in the Book of the Law, the nature of Nuith and Hadith, and of himself as a Star, unique, individual, and eternal, but yet a part of the Body of Nuith, and therefore identical with all other stars in that respect.
He realizes himself as the "bed in working" of Nuith and Hadit, as a particular form assumed by the latter for the sake of Variety in his "play" with the former; and he partakes in this play by his self-realization, which he synthesizes from the "events of his life".
He understands that these events are the resultant of the Universe as applied to him, so that his experience is equally unique and universal, each star being the centre of the cosmos, and the Cosmos applicable as a whole to each star.
The experiences of each angle of a triangle are common to all, for one can express any relation as a function of any angle, at will. Each may be taken as the starting-point of the study of the properties to the triangle. But each angle is necessary to the triangle, and each is equally important to its existence. Each is bound to the others, and moreover each is in a sense illusory in respect of the triangle, which is an idea, simple and ideal, whose unity is compelled to express itself and manifest its properties by extension as a plane figure. For no triangle can express the idea of a triangle. Any triangle must be either equilateral, isosceles or scalene, either acute, right-angled, or obtuse; and no one triangle can be all these at once; while the idea of a triangle includes all these, and infinite other, possibilities.
In a similar way, Nuith and Hadith include all possible forms of existence; they can only realize Themselves by creating an infinite variety of forms of Themselves, each one real as it is Their image, illusory as it is a partial and divided aspect of Them.
Each such Star is intelligible to Them, as a poem is to its author as a part of this soul mirrored by his mind. But it is not intelligible to itself, because it has no relation with any other ideas; it only knows itself as the babe of its mother Nuith, to whom it yearns, being stirred by its father Hadith to express that instinctive attachment by inarticulate cries.
To know itself, each such Star, or Soul, must eat of the Fruit of the Tree of Knowledge of Good and Evil, by accepting labour and pain as its portion, and death as its doom. That is, it must reveal its nature to itself by formulating that nature as duality. It must express itself by a series of symbolic gestures ostensibly external to it, just as a painter reveals one facet of his Delight-Diamond by covering a canvas with colours in such a way that the picture seems at first sight to represent something outside himself. It must, in fact, repeat for itself the original Magick of Nuith and Hadith which created it.
As They made Themselves visible piecemeal by fashioning particular Souls, expressing the Impersonal and Absolute Homogeneity by means of Personal Relative Heterogeneity, so, not forgetting their true nature as forms of the Infinite, whereby they are one with all, must the stars devise methods of studying themselves.
They must make images of themselves, apparently external, and they must represent their highly complex qualities in a duality involving space and time. For each Star is of necessity related to every other star, so that no influence is alien to its individuality; it must therefore observer its reaction to every other star.
Just so are most chemical elements possessed of but few qualities directly appreciable by our senses; we must learn their natures by putting them into relation with the other Elements in turn. (Note well that this knowledge were impossible unless there were a variety of elements; so also the fact of our self-consciousness proves the existence of individual souls; all related, all parts of the One Soul, in one sense, but none the less independent in themselves, eternal entities expressing particular elements of existence).
Each star is in itself immune and innocent; its proper consciousness is monistic; it must therefore employ a body and mind as the instruments for interpreting its relations with other souls, and comparing its nature with theirs. For the mind perceives the contrast of the Self and the not-Self, and presents its experiences, classified and judged, to the soul as documents for the dossier; and the body reports to the mind the impressions received from its contact with alien forms as the senses receive them.
It must naturally require many incarnations for the soul to begin to know itself with any degree of perfection; and one may recognize advanced souls by their minds, which understand the a nature of their work, are indifferent to the body's preference for any special forms of experience, and seek eagerly after novel adventures (like a philatelist after rare stamps) to complete the collection. They are also as a rule both very careful and very careless about their bodily welfare, taking pains to preserve their powers for the purpose of gaining new experiences, but utterly indifferent to them as valuable in themselves. They rule them with a rod of iron, and train them like pugilists; but they risk them recklessly whenever the Work demands it.
It is important to understand the necessity of our present Universe. Perfection could do not otherwise than create Imperfection. But was there not original Imperfection? No; for Perfection is hardly more than that original state, since we cannot conceive the total as susceptible of addition. (Note that {?infinity?}, the sum of the series of natural numbers, is not increased in value by the addition, or diminished by the subtraction of any finite number. Yet 2 is greater than ... ! The fact illustrates our "Naught and Two" theory in a most instructive manner.) This is another view of the God going through the combinations, on a larger scale, and shows not only why He does it, but why He must do it. But is not all this based on the accident that I personally am bored by omniscience on any given matter? Yes, but Imperfection is a fact, and a God whom Perfection did not bore would not have created Imperfection. But why not suppose a wicked God, or a foolish God? Things which seem to me wrong, or stupid, are so because I am the sole judge. But these things are not my creations, but those of other Gods. True, but those Gods are all part of me, so far as I know them. So then, in my own nature are these contrary Gods, which (as above said) I have created in myself to give variety. You see that you cannot conceive these divers 'Gods without conceiving also a Whole, in which the entire equation cancels out to Naught. One cannot conceive it as a Unity, because 1 to the 0 power like 1 to the first power, 1 to the 2nd power, etc., is only one, 1, and cannot become 2 by reflection, as I thought 75 {WEH NOTE: Sic. This is not possible and must be a typo in the TS. Grant Op. Cit. gives "18".}years ago, because there is nothing else to reflect it, or it could not be both All and One. (A heterogeneous One, with a mirror in its All, would be two). Now Evil is only minus to anyone's Plus; you cannot have an Evil to destroy the Whole (or we have Two again.) Therefore no Evil can possibly do any harm; it can only be part of the Play. The Whole is destroyed as soon as understood; that is, it is conceived as zero to the zero power again; this then bursts forth in some new combination, with no gain or loss except (perhaps ? ?) the gain due to Time, as explained elsewhere. But in this case what is Time? It is a fundamental condition of experience, to say nothing of memory, so is necessary to the Finity Phase of zero to the zero power, that is, to any Universe where change occurs. Is there any possible connexion between two successive such Phases? No; they must be alike in one respect that they each cancel out, so Balance is a necessary principle. More so than time; for one could have a Samadhis Phase which developed Nirvi-Kalpa instantly. But if no Time, then a Unity, which could never become Naught; no such Phase is possible. Duality is therefore the nature of any manifested Universe.
1 exists, true; but only by a fiction; for there is always a -1 to cancel it. But we get the illusion of 1 when we add 1/2 to 1/2 or 1/3 to 2/3, etc., things -- each conscious of its fractional character -- seeking to be whole. Now the bigger any 'One' gets, the more conscious it is of its "Minus One' wife, the more clearly it sees that 'One; is illusion, and had better cancel out. The general process of Initiation is therefore the same for all possible universes.
From the standpoint of Physics, the original Inertia expresses itself as two complementary forms of Energy -- the small active Negative Electron (Hadit) and the large passive Positive Electron (Nuit). (It has recently been shown that the mass of Matter is zero). When these satisfy each other, two phenomena occur: (1) their opposed equalities cancel out to Zero. (Perhaps even to 0 to the 0 power, thus restoring the original Indeterminate Nothing). (2) a "child" is born of the union; i.e., a positive phenomenon is ;produced, whose nature is entirely different from that of either of its 'parents'; for it is finite, and possesses limitations and qualities of its own. Groups of such primaeval units form the various kinds of 'atom', according to the number and geometric disposition thereof. (This involves projection in space and time, ideas which are not necessary to the Electrons, they being simply ideas posited to serve as a basis for any dualistic expression to which Zero may be equated, such as Being and Form, Matter and Motion. We invent Space, Time, Sense-Impression, etc. to enable us to distinguish between "experiences" to express our conception of the multiplicity of the possibilities contained in the Idea of Zero. Each human consciousness being a case of one particular way of grouping elements, its conception of the Cosmos is limited by the necessary relations of that group to other groups. It grows by "union" with such groups, and is glad, partly because it satisfied its Oedipus-complex by thus approaching Nuit, partly because it fulfils its natural function of Creation.
The Brothers of A.'.A.'. are one with the Mother of the child.
The Many is as adorable to the One as the One is to the Many.
This is the Love of These: creation-parturition is the Bliss of the One; coition-dissolution is the Bliss of the Many.
The All, thus interwoven of These, is Bliss.
Naught is beyond Bliss.
The Man delights in uniting with the Woman; the Woman in parting from the child.
The Brothers of A.'.A.'. are Women; the Aspirants to A.'.A.'. are Men
In order to have Motion one must have Change. In fact, one must have this in order to have anything at all. Now this Change is what we call Love. thus "love under will" is the Law of Motion. The re-entrant character of this Motion is difficult to conceive; but the Aspirant is urged to try to assimilate the idea. A Hindu might compare the Cosmic process to a churn which out of milk made butter to feed a milk-producing woman, every step in the cycle being a Progress of Joy.
Time is necessarily created by us in order to make room for the apparent existence of the duality which we devise for the presentation of unity, or nihility.
"Two things" must evidently exist either in two places, or at two times, or both; else they would be indistinguishable.
Two phenomena which differ in time would be considered simultaneous if separated in space so that our observation of the former were delayed, for several reasons; and it is fairly easy to realize the possibility. But it seems as if separation in space were somehow more intractable. I can see no priori reason for this distinction; I think it arises from the fact that space is directly presented to our senses, while time is proper to the mental apprehension of impressions.
Our universe is (after all) in one place, so far as we are concerned, i.e., in our sensoria, so that any two impressions can only be registered by us as consecutive. Even when we are aware of their simultaneity, we are compelled to place them in sequence. Our sensorium makes no distinction between concrete and abstract ideas in this respect. Sensory impressions and general ideas are equally grist for the mill. But we make a distinction between our record of events whose sequence is a necessary part of our comprehension of them, and those which are independent of our history. We insist on the sequence of school and college, but our general judgments are recognized as independent of time. This is peculiarly the case with our idea of the Ego, which we instinctively regard as if it were eternal and unchanging, though in fact it grows and decays continually. Yet we think of the incidents of boyhood as having occurred to the Ego, forming part of its character.
Now since this Ego is only conscious by virtue of having formulated itself, or the Universe (as it happens to view the case), in the form of Duality, and since all the experiences of the Ego are necessary to it, as all phenomena soever are necessary, it is permissible to regard the totality of the experience of the Ego as the presentation in duality of a single simultaneous fact.
In other words, life is an attempt to realize one's own nature in one's own soul.
The man who fails to recognize it as such is hopelessly bewildered by the irrational character of the universe, which he takes to be real; and he cannot but regard it as aimless and absurd. The adventures of his body and mind, with their desires for material and moral well-being, are obviously as foredoomed to disaster as Don Quixote's. He must be a fool if he struggles on (against inexorable fate) to obtain results which he knows can only end in catastrophe, a climax the more bitter as he clings the more closely to his impossible ideals.
But once he acquiesces in the necessity of the course of events, and considers his body and mind as no more than the instruments which interpret himself to himself by means of dualistic presentation, he should soon acquire a complete indifference to the nature of the incidents which occur to him.
It is not surprising that these incidents should occur in an apparent disorderly sequence any more than that the coours of a picture, or the words of a story, should not be disturbed according to an a priori classification, as in a Lexicon or a colourman's catalogue. His task as a connoisseur is to recognize the idea of the artist, and this he can only do by appreciation of the complete work. he must analyze the assemblage of elements, and assign the correct value to each, comprehending the intention of each relative to the finished design.
It will be said that nobody can realize himself so long as the presentation is imperfect, that is, so long as he is incarnated. This is no doubt true in all rigour; but one can obtain an approximation to the intended self-knowledge by withdrawing for a time to the monistic form of self-consciousness, which does not distinguish between the Ego and the Non-Ego; in other words, by attaining Samadhi. But the first experience of Samadhi will then naturally be an ecstasy devoid of name or form, and containing no elements distinguishable as such; and we know this to be the case. One has simply deprived oneself of the means of expression, and all dual consciousness disappears, together with its forms, time and space. One concludes from this that the Universe is identical with the Ego, and all things dissolve into a formless essence characterized by knowledge and bliss. But this early stage of Samadhi is an illusion, a sort of drunken dizziness. (So in sexual love, the ecstasy abolishes the Ego, apparently; it forgets that duality was its cause, and must be equally real with itself, in one sense or another). But subsequent Samadhi teaches the adept that his universal instantaneous Unity exists as "None and Two"; and he learns that his Samadhi is peculiar to himself as well as common to all.
He becomes able to experience the truth of the statements in the Book of the Law, the nature of Nuith and Hadith, and of himself as a Star, unique, individual, and eternal, but yet a part of the Body of Nuith, and therefore identical with all other stars in that respect.
He realizes himself as the "bed in working" of Nuith and Hadit, as a particular form assumed by the latter for the sake of Variety in his "play" with the former; and he partakes in this play by his self-realization, which he synthesizes from the "events of his life".
He understands that these events are the resultant of the Universe as applied to him, so that his experience is equally unique and universal, each star being the centre of the cosmos, and the Cosmos applicable as a whole to each star.
The experiences of each angle of a triangle are common to all, for one can express any relation as a function of any angle, at will. Each may be taken as the starting-point of the study of the properties to the triangle. But each angle is necessary to the triangle, and each is equally important to its existence. Each is bound to the others, and moreover each is in a sense illusory in respect of the triangle, which is an idea, simple and ideal, whose unity is compelled to express itself and manifest its properties by extension as a plane figure. For no triangle can express the idea of a triangle. Any triangle must be either equilateral, isosceles or scalene, either acute, right-angled, or obtuse; and no one triangle can be all these at once; while the idea of a triangle includes all these, and infinite other, possibilities.
In a similar way, Nuith and Hadith include all possible forms of existence; they can only realize Themselves by creating an infinite variety of forms of Themselves, each one real as it is Their image, illusory as it is a partial and divided aspect of Them.
Each such Star is intelligible to Them, as a poem is to its author as a part of this soul mirrored by his mind. But it is not intelligible to itself, because it has no relation with any other ideas; it only knows itself as the babe of its mother Nuith, to whom it yearns, being stirred by its father Hadith to express that instinctive attachment by inarticulate cries.
To know itself, each such Star, or Soul, must eat of the Fruit of the Tree of Knowledge of Good and Evil, by accepting labour and pain as its portion, and death as its doom. That is, it must reveal its nature to itself by formulating that nature as duality. It must express itself by a series of symbolic gestures ostensibly external to it, just as a painter reveals one facet of his Delight-Diamond by covering a canvas with colours in such a way that the picture seems at first sight to represent something outside himself. It must, in fact, repeat for itself the original Magick of Nuith and Hadith which created it.
As They made Themselves visible piecemeal by fashioning particular Souls, expressing the Impersonal and Absolute Homogeneity by means of Personal Relative Heterogeneity, so, not forgetting their true nature as forms of the Infinite, whereby they are one with all, must the stars devise methods of studying themselves.
They must make images of themselves, apparently external, and they must represent their highly complex qualities in a duality involving space and time. For each Star is of necessity related to every other star, so that no influence is alien to its individuality; it must therefore observer its reaction to every other star.
Just so are most chemical elements possessed of but few qualities directly appreciable by our senses; we must learn their natures by putting them into relation with the other Elements in turn. (Note well that this knowledge were impossible unless there were a variety of elements; so also the fact of our self-consciousness proves the existence of individual souls; all related, all parts of the One Soul, in one sense, but none the less independent in themselves, eternal entities expressing particular elements of existence).
Each star is in itself immune and innocent; its proper consciousness is monistic; it must therefore employ a body and mind as the instruments for interpreting its relations with other souls, and comparing its nature with theirs. For the mind perceives the contrast of the Self and the not-Self, and presents its experiences, classified and judged, to the soul as documents for the dossier; and the body reports to the mind the impressions received from its contact with alien forms as the senses receive them.
It must naturally require many incarnations for the soul to begin to know itself with any degree of perfection; and one may recognize advanced souls by their minds, which understand the a nature of their work, are indifferent to the body's preference for any special forms of experience, and seek eagerly after novel adventures (like a philatelist after rare stamps) to complete the collection. They are also as a rule both very careful and very careless about their bodily welfare, taking pains to preserve their powers for the purpose of gaining new experiences, but utterly indifferent to them as valuable in themselves. They rule them with a rod of iron, and train them like pugilists; but they risk them recklessly whenever the Work demands it.
It is important to understand the necessity of our present Universe. Perfection could do not otherwise than create Imperfection. But was there not original Imperfection? No; for Perfection is hardly more than that original state, since we cannot conceive the total as susceptible of addition. (Note that {?infinity?}, the sum of the series of natural numbers, is not increased in value by the addition, or diminished by the subtraction of any finite number. Yet 2 is greater than ... ! The fact illustrates our "Naught and Two" theory in a most instructive manner.) This is another view of the God going through the combinations, on a larger scale, and shows not only why He does it, but why He must do it. But is not all this based on the accident that I personally am bored by omniscience on any given matter? Yes, but Imperfection is a fact, and a God whom Perfection did not bore would not have created Imperfection. But why not suppose a wicked God, or a foolish God? Things which seem to me wrong, or stupid, are so because I am the sole judge. But these things are not my creations, but those of other Gods. True, but those Gods are all part of me, so far as I know them. So then, in my own nature are these contrary Gods, which (as above said) I have created in myself to give variety. You see that you cannot conceive these divers 'Gods without conceiving also a Whole, in which the entire equation cancels out to Naught. One cannot conceive it as a Unity, because 1 to the 0 power like 1 to the first power, 1 to the 2nd power, etc., is only one, 1, and cannot become 2 by reflection, as I thought 75 {WEH NOTE: Sic. This is not possible and must be a typo in the TS. Grant Op. Cit. gives "18".}years ago, because there is nothing else to reflect it, or it could not be both All and One. (A heterogeneous One, with a mirror in its All, would be two). Now Evil is only minus to anyone's Plus; you cannot have an Evil to destroy the Whole (or we have Two again.) Therefore no Evil can possibly do any harm; it can only be part of the Play. The Whole is destroyed as soon as understood; that is, it is conceived as zero to the zero power again; this then bursts forth in some new combination, with no gain or loss except (perhaps ? ?) the gain due to Time, as explained elsewhere. But in this case what is Time? It is a fundamental condition of experience, to say nothing of memory, so is necessary to the Finity Phase of zero to the zero power, that is, to any Universe where change occurs. Is there any possible connexion between two successive such Phases? No; they must be alike in one respect that they each cancel out, so Balance is a necessary principle. More so than time; for one could have a Samadhis Phase which developed Nirvi-Kalpa instantly. But if no Time, then a Unity, which could never become Naught; no such Phase is possible. Duality is therefore the nature of any manifested Universe.
1 exists, true; but only by a fiction; for there is always a -1 to cancel it. But we get the illusion of 1 when we add 1/2 to 1/2 or 1/3 to 2/3, etc., things -- each conscious of its fractional character -- seeking to be whole. Now the bigger any 'One' gets, the more conscious it is of its "Minus One' wife, the more clearly it sees that 'One; is illusion, and had better cancel out. The general process of Initiation is therefore the same for all possible universes.
From the standpoint of Physics, the original Inertia expresses itself as two complementary forms of Energy -- the small active Negative Electron (Hadit) and the large passive Positive Electron (Nuit). (It has recently been shown that the mass of Matter is zero). When these satisfy each other, two phenomena occur: (1) their opposed equalities cancel out to Zero. (Perhaps even to 0 to the 0 power, thus restoring the original Indeterminate Nothing). (2) a "child" is born of the union; i.e., a positive phenomenon is ;produced, whose nature is entirely different from that of either of its 'parents'; for it is finite, and possesses limitations and qualities of its own. Groups of such primaeval units form the various kinds of 'atom', according to the number and geometric disposition thereof. (This involves projection in space and time, ideas which are not necessary to the Electrons, they being simply ideas posited to serve as a basis for any dualistic expression to which Zero may be equated, such as Being and Form, Matter and Motion. We invent Space, Time, Sense-Impression, etc. to enable us to distinguish between "experiences" to express our conception of the multiplicity of the possibilities contained in the Idea of Zero. Each human consciousness being a case of one particular way of grouping elements, its conception of the Cosmos is limited by the necessary relations of that group to other groups. It grows by "union" with such groups, and is glad, partly because it satisfied its Oedipus-complex by thus approaching Nuit, partly because it fulfils its natural function of Creation.